Sunday, March 7, 2010

Don't Block the Sun

"It was colder than. . ." I stop my complaining and stare at my companion.  Realizing sadly, I have had nothing but complaints since arriving in San Fransisco two days ago.  Perhaps I should compare the weather to my heart.  Dead heavy like Alcatraz.

She looks at me questioningly from under the straw hat I got her from Chile. I shrug and point to a pelican effortlessly skimming the cat paws.  She's temporarily distracted.  We lean over the pier railing and watch its progress towards the beach.  Both of us smile as it lands, stretches it wings in a blanket of white, neatly bringing them into settle.

The buzzer in my pocket tells me the table is ready.  We head into the restaurant and the tiny waitress bobs her head in welcome.  She reminds me of a sand piper as she skirts between the tables, her bare legs moving to the rhythm of the search.  I acknowledge her triumph for seating us at a prime spot. She beams at me and flourishes the menus. Her voice high as she quickly rattles off the specials.  Thanking her, I scan the choices.  Nothing appeals to me, hunger seems to belong to the past.  I impatiently shove the sticky plastic to the side while listening to my friend moan and groan in delight over the numerous seafood dishes.  Normally, I feel amusement and pleasure in treating her to a lifestyle I take for granted.

Sitting by the window is a huge relief.  I can feel  panic rise at being indoors with so many around.  These walls slant too much.  I feel like they could fall any second.  Looking out to the sea, the far horizon has my complete attention.  I attempt to slow my breath.  Sunset takes over, happening in its typical Hollywood cliche.  That thought does nothing to calm me.  I scoot my chair back involuntarily, rising abruptly until my ice blue eyes meet two chocolate brown ones with ridiculously long lashes.  Why don't I feel relief that these are alive and well, and telling me that reprieve from the inquisition is now over.  I reluctantly sit.

"Miri,"  her voice concerned and firm.  "I order you, as your best friend, to tell me what happened last week."

My voice catches.  "Cassie!" Shake my head in denial.  Images flash insistently across my mind.  I can't stop the ticker tape alerts that want their information known.  I want to be able to have her reach in and tear the lifeless, joyless weight from my chest.  Expose it to the world and maybe there would be someone who could fix it. Or at least bury it. The words are not forthcoming.

Her voice soft, "I know I wasn't there, but reading an article on you . . . the lousy explanation they gave!"  The tears coming down her face, leaving trails, pushing the powder to the edge of her chin, reminds me of. . .

The mud and debris doesn't hide everything.  The slide shoved everything together.  Jumbling living and non-living together.  Giant bulldozer run by Mother Nature's' indifference.  Everyone's dirty grim faces try not to imagine what pieces of cloth showing through might still be attached to.  

I stand on top of what I think is the crumpled remains of one of the many touristy shops I was in yesterday.  My news crew and I carefully pick our way across the devastation.  No one wants to add to the noise. Sounds of workers, wailing, dogs barking, boats, and various vehicles all blend to the background.  

Uneasy, I turn to face the ocean.  Intuition leads me to a spot in the middle of the street.  Something catches my ear.   I think I hear a small voice, muffled under two walls.  A rescuer is walking lightly across the top of the leaning one. I could see the one caving under his weight.  Plaster raining down.  The voice in my soul urges haste.  Hurrying over, I yell in Spanish, "no se muevan la pared va a caerse!"  The worker stops and inches his way back down.  In my limited Spanish, I frantically point under the wall.  He gets that I heard a voice.  Yelling for more help.  We all begin to move what we could.  Sounds of pain reaches us.  We cheer and begin shouting reassurances.  

I find the body of an adult male first.  Rolling him out of the way, I find her.  Maybe six years old?  I recognize her.  She was in the same shop, yesterday, with her dad.  They were buying her big brother a gorra azul.  His old baseball cap was too dirty.  I happened to be buying my best friend a Chupallas to use as a beach hat.  We talked briefly.  Both her and father teasing me for being country.

"Me llamo Miri.  Me recuerdas? Como te llamas?"  She grins and winces.  Her front teeth are missing.  I wonder if she'll get them for Christmas.  I try to smile, realizing that's an American thing.  Then my tears threaten to come.  Her legs are wrong.  She's broken, barely alive.  I doubt she'll see tomorrow.  I want to move her, but I'm afraid until she whispers, "Por favor, queiro ver el sol." 

A rescuer taps me on the shoulder.  Our faces show our agreement of the situation.  I lift her, she whimpers a little in pain, her legs dangle useless over my arms.  Her chest doesn't rise much with breath.  She raises her hand, in it is her brother's blue baseball cap.  I remember, they were to give it to him when they returned home. . .today!  My tears fall freely now, I have my gift safe in the van.  

I walk her to the place in the road where I first heard her.  The afternoon sun is brillant.  My crew has been filming the whole time.  I feel rage at the intrusive cameras.  Turning my back to them.  I sit with her in my arms. Eyes flutter open, hazel, fringed with black.  Eyes that will soon see God.  I tenderly stroke her face, moving her hair off her face.  Her parched lips move, I lean forward, she presses her brother's cap into my hand.  At her last whisper, I lean back and let the sunlight touch her face.  She sighs.  Happiness, relief and stillness become her death mask.


"She never gave me her name."  Cassie grabs my hands across the table.  We're both weeping, my heart melting into emotion.  "She said, as she handed me the hat, 'Gracias, Senora, no quiero morir en la oscuridad.  Thank you, I didn't want to die in the dark.'"

Your Band

Music takes you away from me
the louder it plays, the further you go
When it ends. . .what then?
You return, content
reeking of smoke, stale sweat
other girl's scent
And I'm at home alone
babies asleep
tears unshed
sleepless in a huge bed
The times you return 
are never the same
But you return
eventually
to me
my eager embrace
inspite of an accusatory face
I welcome you
love, relief and now
I can sleep
feel safe
until the next time
you go
and then once again
I'll
grieve

Saturday, March 6, 2010

All the Same

It all sounds the same 
in the end
upon 
serious reflection
the stylized retell
the vocabulary
may differ
but
the stories are mine 
and they are yours
how you know me so well
I am you or are you me
time will show 
as we end 
our lives
in the same way
taking our last breath
of Earth's
atmosphere

Thursday, March 4, 2010

No Corruption of Evidence

I wait
patiently
a bullfrog
submerged 
in pond muck
clear golden eyes
unblinking

I know
he's the fly
drawn to death's
silence
to prove life
he buzzes close
loudly
tempting fates

air currents
alert the prosecuter
the defendant 
is guilty

The stillness
of stagnant waters
breaks
bubble gum pink
lashes out
lightening quick
delivers the sentence
effectively
timely

life for a life

and no
corruption 
of evidence



Tuesday, March 2, 2010

Agony

Your rage 
injures me
my pain
poisons you
We shouldn't
be together

I cry constantly
you leave
instantly
The knife 
is buried
deep

My rage
injures you
Your pain
poisons me
We shouldn't
be together

You snarl
viciously
I weep
incessantly
The arrows
gone
straight through

We killed
so slowly
Love died
so ugly
and yet,
we stayed 
together

Sunday, February 28, 2010

Lady

Lady,
I don't know you
but 
 I can tell
you have a story
it's written all
over you
your face
young
bruised
and make-up
can't hide
what's on the outside
nor does it disguise
what's radiating
from within

 you're marked
a victim

does he hit you when he's sober
and excuse it 'cuz he's drunk

you'll say
with downcast eyes

"I caught my sweater
on the banister
and tripped"

You're
carrying your 
10th load
of laundry
containing the stains
of an afternoon
of misery

Lady,
why do you stay?

Thursday, February 25, 2010

Still I Stay

The dark circle showing nights 
of not knowing
exactly why things
come about
the way they do

I wonder who it is I married

I wonder if he'll notice
I didn't greet
his staggering steps 
this time

I watch
shaking hand pour another
tender feelings I once felt
spill to the floor
with the rhythm
of overflowing foam

I cloak myself
in the darkness
of the dead-end stairway

I step out to ask, "Why?"
Only to encounter
eyes
red
like the soda and wine
he's now drinking

His anger rises with the bubbles
exploding words
Whore. . .bitch, 
you cold-hearted. . .
he slurs

Does he mean it?
He's drunk, he can't know
A flicker of mean intelligence
emerges
pin-point pupils

He knows.